Orphans

Call them what you will, what I will go with is “Orphans”.

I have a handful of posts that have lingered “on deck,” so to speak, that are, by themselves, sad little bits that were never completed, or, for whatever reason, didn’t pass muster with Tattoosday’s editorial board.

However, by packaging them together, I can cross them off my list once and for all, and move on. A Spring Cleaning, if you will.

So let’s get down to business:

Last March 25, I posted this New York’ish piece on Jonathan. A few days later, Jonathan got another tattoo and sent me a preliminary photo:

I asked him if he could send me a better photo of this pretty awesome owl tattoo. I asked again at the end of April, and again at the end of May.  I followed up again in October, at which point Jonathan said he would send me a new photo soon.

Look, things happen, and I hardly see Tattoosday as the center of the universe. There comes a time, however,  when I’m going to have to assume that it’s fallen by the wayside, and move on. This means, of course, that Jonathan will email me a crisper photo tomorrow.

~~

At the end of last April, I ran into a guy named Nick on the West 4^th Street subway platform. I snapped this photos:

The reason I balked at posting this originally was because the piece is a cover-up of a cross, and the original tattoo is fairly visible in its new incarnation.

I was concerned that a stand-alone post would incur the wrath of the tattoo purists and the story that this was a memorial piece for Nick’s grandfather would be lost.

Thus, it ended up in Tattoosday’s home for Orphan Tattoos.

Thanks to Nick, nonetheless, for sharing it with us.

~~

Also last April, I met a guy named Johnny in Penn Station. I noticed as I was passing by  that he had script peeking out from under his shirt at the top of his chest and I handed him a flier and a card. In May, he sent me the following two photos and the accompanying description:

Hey Bill,

We met in Penn Station a couple of weeks ago. I finally got some pictures of a couple of my tattoos. Both of these were done by Krista at Empire Ink in Akron, OH. 

The pin-up girl was drawn by my grandmother when she was 16 for my grandfather while they were dating. The other was an original design.

The Latin quote at the top of the heart is a quote from Julius Caesar. It translates to "From the bottom of my heart". Thanks for the interest in the tattoos and letting me share. 
Johnny

Honestly, I don’t know why I didn’t post these originally. As time passed and the e-mail traveled to the bottom of my inbox, it became an out-of-sight, out-of-mind submission. Thanks to Johnny for sending these in originally, and for waiting so patiently to see them appear on the site.

~~

At the end of June 2011, I met a woman named Christina in Penn Station, whose ink did make the site a couple months later, here. At the time, she was accompanied by two other people, one whose name was Damion. I took a picture of Damion’s tattoo, but it never made the site, until now. Part of the reason Damion’s work never went live was due to the fact that it is an unfinished work, an orphan in more ways than one. Here’s the shot.

Damion loves these wings, calling them his “prize possession”.  Why are they unfinished? He credited the artist Carlos Alfonso at Rising Dragon Tattoo, formerly located under the Hotel Chelsea on 23^rd Street. But, Damion informed me, Carlos passed away. It’s not so easy to have another artist finish the work of a deceased tattooist. Damion’s not the only one who was so affected, as you might imagine. The story rang a bell with me, as I had also featured Carlos’ work in a 2009 post with the ink of performance poet Jackie Sheeler here.

A belated thanks to Damion for baring his back and showing off his wings in Penn Station!

~~

As summer waned, I had a couple of unsuccessful encounters in September, in which the quality of the photos I took were substandard, and e-mails to the contributors went unanswered.

For example, Chris shared this cool octopus on his leg: 

Can you tell it’s an octopus? There’s the issue. Chris’s leg hair and the glare of the sun renders this poor octopus almost invisible. It was inked by a Thai artist namedTong, working out of Tatudharma in Sydney, Australia. Chris was travelling and he “likes octopi,” recognizing that, “as far as invertebrates go, [they are] probably the most intelligent of them.”

In a weird twist of this orphan post, the Tatudharma web site indicates that the shop is closed permanently, a result of it having been firebombed last April. The artists can still be contacted through the website, however.

A couple weeks later, my camera was programmed on the wrong setting, so I ended up with these two washed-out shots of interesting tattoos:

The host of these pieces is Lindsey, a Southern Californian who had both tattoos inked in San Diego.

The plant was done about 8 or 9 years ago by an artist named Alethio.

“I had my boyfriend draw it,” she explained, “I told him I wanted a dictionary-style type of flower, so he kinda came up with a design, so it’s not an actual plant, it’s fictitious … I wanted something organic to be represented on me.”

The bird on her other arm was done by Gary at Ace Tattoo. “That was the beginning of a sleeve that never happened,” Lindsey said with a sigh.

Thanks to Chris and Lindsey for sharing their tattoos and for hopefully forgiving  my camera for betraying them.

~~

And last, but not least is this piece from December:

Jen acknowledged that it wasn’t done very well, but she said she had a good reason for getting it. I did send an email as a follow-up, but more than one reeks of desperation. Maybe one of these days Jen will find my card or flier and finally e-mail me back to explain what wanderlust means to her. Until then, we’re left with this orphan.

~~

Believe it or not, we still have a few 2011 photos left in the tank, but this entry takes out a good chunk of our backlog. Thanks for giving these orphans a home, even if its just for a minute or two.

This entry is ©2012 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.comand read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Better Late Than Never

Back in April, I ran into John in Herald Square (34th and 6th) who had some pretty amazing work. He estimates he is about 25% covered in tattoos, which includes both arms, hands to shoulders, and both sides of his neck.

I stopped him and handed him a flier, but he was in a hurry, so we went our separate ways.

A month or so later, he e-mailed me a couple of photos:

John "loved Popeye growing up" and "love[s] the way [tattoos] look".

Not a lot more to tell, other than this was done by Rodrigo Melo, when he was at Rising Dragon Tattoos on 23rd Street (now on 14th). Rodrigo has since left Rising Dragon and co-founded North Star Tattoo in the East Village.

John is a photographer whose work can be seen here.

Thanks to John for sharing his ink with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Andrew's Traditional Sleeve by Horisei

Every once in a while, it's nice to appreciate a tattoo for its own sake. This is especially rewarding for me when I am familiar with the artist, and I know people who have been tattooed by him or her, which has allowed me to appreciate their craft over time.

Two of my friends have been fortunate enough to have been tattooed by the wonderful Horisei (their work appeared here and here). Horisei works out of Chelsea Tattoo Company, former location of Rising Dragon.

So, when I spotted Andrew, coming out of Penn Station last month, I was more than thrilled to take shots of his Horisei-crafted sleeve.

Andrew estimates that this took about twenty hours of work, over a two to three month period.

His traditional Japanese sleeve consists of a tiger, two koi, and peonies, in addition to the water background.

Thanks to Andrew for sharing his awesome sleeve with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Christmas House Cleaning

Regular readers of Tattoosday will notice that, although I generally follow a chronological order when I share tattoos I have encountered.

However, certain pieces, for various and sundry reasons, have been bypassed, and haven't made it to the blog, until now.

I was originally going to post a dozen to represent the Twelve Days of Christmas, but I settled for eight. For the nights of Chanukah, perhaps?

Without intending to offend anyone for not receiving a post all to themselves, I have lumped these tattoos, spanning from late August to late October, in one post.

These are the neglected tattoo pictures that are just a little off, some not through the fault of the contributor, but for reasons beyond their control.

The quality of the photo may not be ideal, or the host and I faced a language barrier that prevented a good back story from emerging, or I didn't find the story behind the tattoo especially compelling. And then
there's what is likely one of the poorest tattoos I have seen, but the story behind it is somewhat compelling.

So, without further ado, here is a Christmas cleaning, eight posts rolled together into one gigantic one.

~~~

First up, we have Esteban, who shared his sleeve when I met him in September, at Fairway in Red Hook:

Alas, I was still using a borrowed camera, and several shots were over-exposed and/or blurry, but I was able to salvage this one:

The artwork is pre-Colombian in its inspiration, and is part of a larger tropical motif.

Next up we have Dave, who I met in Penn Station. He has over 25 tattoos and selected this one to share:

The phrase "Uniting the Strong" is the title of a song from Victim in Pain, the second album from the band Agnostic Front. This is a friendship tattoo that stresses unity and the host's nod to the hardcore punk scene.

Dave credits Jelena at Lone Wolf Tattoo in Bellmore, New York with this piece.

~~~

Next we have Orlando, a Fine Arts student at FIT, where I met him outside while walking toward 23rd Street on my lunch break, also in September.

This ship tattoo is an homage to his father, who served in the navy for thirty years. He wanted a "classic look" in the Sailor Jerry style.

Orlando confirmed for me that his dad loves the tattoo.

It was inked at Crazy Fantasy Tattoo in Manhattan by an artist named Antonio.

[Update: I got a better, crisper picture from Orlando of the ship tattoo in May 2011:]

Orlando has seven tattoos in all [in May 2011, he updated this number to ten], and shared this one, as well, inked at Dare Devil Tattoo on the Lower East Side.

The quote, "This my excavation and today is Kumran" is from a song called "re: Stacks" by Bon Iver.

Orlando explained that he interprets this quote as a reminder that "every day has the ability to make you or break you. It just depends on what you do with it." Other interpretations are here.

For the record, I did email Orlando to ask for an opportunity to get clearer pictures, but I did not hear back from him.

~~~

I met Farkas in Union Square back in October. He had this wolf on his right arm:

He explained that his name means "wolf" in Hungarian, and that one of his friends in Hungary did this tattoo for him.

~~~

A couple days after meeting Farkas, I met an Israeli named Ran on 34th Street across from Macy*s. He shared this iguana on his right leg:

It's a pretty nice tattoo, but he hasn't sent me any further details about it.

~~~

A couple weeks later, I was in the West Village before a concert, and met Carlos, a manager at the Qdoba Mexican Grill where we were having a quick bite before the show. He shared this intricate tattoo on his right arm:

He and friend collaborated on this tattoo together. He told me that, when he was little, he did jigsaw puzzles with his mother a lot. The tattoo reminds him of those fun times growing up.

~~~

The following week, I ran into Iancu in Penn Station, and he shared this piece on his upper left arm:

Iancu told me he came to the artist, Rico, formerly of Rising Dragon in Manhattan, who was initially unwilling to do the tattoo. However, he convinced him to do it. It's basically a Guns N' Roses tribute although, he
noted, the guns were added about a year and a half after the original design was inked.

~~~

And finally, I must first say that  it is very rare that I ever criticize the quality of a tattoo.

Even if it is inferior to the work of much better artists, I always like to believe there are some redeeming qualities in a tattoo.

Which is why I struggled with this next tattoo, which I photographer back in August, and which I have included in this odds and ends post in December.

I approached a guy named Danny who had a lot of interestingly-tattooed words and such on his arms.

However, he offered to remove his shirt in Penn Station so I could photograph this:

Um, yeah.

If this was done by an experienced artist, I would likely not have posted it. Despite its obvious flaws, it is compelling, in my opinion, because Danny told me, like all his tattoos (15 or 16, he told me), this one was
self-inked. Now, I can see tattooing one's arm or leg, but I cannot even fathom how challenging it would be to self-tattoo your chest. He estimated this took one and a half hours to do.

The message is "Diamonds Aren't Forever," or, in  Danny's words, "don't take what you have for granted".

~~~

So there you have it, a Spring Cleaning for Christmas.

I do sincerely thank the individuals who shared their tattoos in this entry. Happy Holidays, y'all!

A Patriotic Tattoo for Patriot Day

I ran into Rob in my neighborhood in late August and he gladly shared his patriotic tattoo.

Rob is a Revolutionary War buff and has a distinct interest in American history.

He wanted an "old school" tattoo back in 2000, and wanted something patriotic back "before it was fashionable". He's referring of course, to the explosion of post-9/11 red, white and blue ink. He wasn't disrespecting or being critical of patriotic tattoos done after 2001, he was merely clarifying for me that his piece was not a product of the huge wave of emotion that surged through the country after that day of infamy seven years ago.

Rob's "Land of the free, Home of the brave" banner with the original 13-star flag was inked by Darren Rosa at Rising Dragon in Manhattan. Work from Rising Dragon has appeared on Tattoosday previously here.

Thanks to Rob for sharing his red, white, and blue patriotic tattoo with us here on Tattoosday on this occasion.

Tattoos I Know: Rob's Traditional Japanese Dragons

"The only things I'm going to regret are the things I don't do" --Rob

Rob doesn't show off his ink like a lot of people do. Granted, sharing one's tattoos with the public is part of the appeal for many people. But other folks get tattooed for more personal, private reasons. Many people feel that having a tattoo is in itself, fulfilling. They don't seek recognition to validate their body art. Others do.

That's one of the fun things about Tattoosday- when someone shares the personal in this public venue, it is often a fulfillment that has come to fruition. Other times, it's just fun.

I recently learned that the husband of one of my wife's old school mates, someone with whom I've talked football and who I see from time to time, is inked.

So the e-mails flew and the dinner date was set. My wife and I met up with the couple earlier in the month and went out for Vietnamese food. But before we left their place, Rob let me see his ink:










Unfortunately, my camera didn't like the light in the apartment, and I ended up with a lot of blurred or washed out photos. The above two were the best of the bunch. That's part of the reason it took me so long to post.

My camera really didn't do justice to the color and craftsmanship of the work. But, as luck would have it, the artist, Horisei, of Chelsea Tattoo Company, had clearer and much better pictures on the shop site.


When these were inked, Horisei was part of the staff at Rising Dragon Tattoos. Rising Dragon work has appeared previously here and here. However, Rising Dragon moved to new digs just recently and Horisei stayed in the old location at the new shop, renamed Chelsea Tattoo Company.

What Rob has are traditional Japanese panels that cover the upper arms, shoulders, and the connecting canvas of the chest corners.


Rob's work was done over approximately forty (40!) cumulative hours between March and June of 2007. The only thing that remains to be done is the coloring of the eyes.

If you look at the right piece, you'll see a kanji character representing the word "wolf".

That part was tattooed 15 years ago, in celebration of Rob's 30th birthday when he was living in San Francisco. And yes, it's an accurate representation of the proper kanji for "wolf".

Horisei, a master artist from Yokohama, Japan, was able to incorporate the "wolf" into the design, as it manifests itself in a new context, on a pearl clutched in the grip of a dragon.

These two dragons don't "mean" anything, in the traditional sense. A common misconception that people have is that tattoos must mean something. Rather, in Rob's case, they represent an inner appreciation for not just the art of the tattoo, but for traditional Japanese body art.

Tattoos don't have to be visible to have purpose. These two dragons reside on Rob's chest and feed his inner strength.

Rob even lent me his copy of A History of Japanese Body Suit Tattooing for further reference on the subject matter:


It is an honor to have them posted here for the world to see. Thanks to Rob for sharing, and thanks to Horisei and Chelsea Tattoo for the use of their better pictures that allow us here at Tattoosday to fully appreciate the craftsmanship that went into these pieces.

Pursuit Until Capture

An unplanned trip to the Penn Station K-Mart yielded this awesome tattoo.

Sometimes, even if you can't initially see the whole piece, you can recognize high quality work. This was one of those times.

Chris, who works in independent film, more specifically the horror genre, wanted to pay homage to the film, John Carpenter's Halloween, that inspired him to follow the career path he chose.


The phrase "Pursuit Until Capture" was not from the film, but is a motto that guides him through life. Although applicable to the horror genre (that seems to drive every villain - the relentless pursuit of the victim), it holds a larger meaning for a life philosophy. Translation: follow one's dreams until they are attained. Chris recalls first seeing the "Pursuit Until Capture" phrase in old Sailor Jerry flash art.

This amazing piece was inked by Darren Rosa at Rising Dragon Tattoos in Chelsea. It really is superb work - click the photo to enlarge, and one can almost feel the texture of the pumpkin, the sharpness of the blade. Tattoos from Rising Dragon have previously appeared here.

Darren also inked Chris' first tattoo, a back piece, in January 2006:


Chris always imagined a tattoo with blue wings, and the phrase "Live Life Stronger then Death" exemplifies the ongoing struggle for good over evil.

Certainly words to live by.

Thanks to Chris for sharing his awesome tattoos with us here at Tattoosday!

Tattoos I Know: Paul Part 2, or, The Traditional Japanese Sleeve

NOTE: This post was updated on March 31, 2008 with three additional photographs.

Here's a Tattoosday first: a repeat subject in this blog's history.

Paul appeared here first, showing off his first tattoo, a dragon. In this post, Paul returns, showing off a full sleeve on his left arm.

The sleeve consists of traditional elements: there is a dragon, a lotus, a mask, a lily, and a koi.

If you went back in a time machine 8 or 9 years to visit Paul's arm, you would have seen a grim reaper holding a skull on the bicep:


and some roses in a pattern on the forearm. These earlier tattoos have been covered by elements in the sleeve. Even when told where the original ink lies, it's extremely difficult to see the previous work.

So I will break this down into two sections: the upper arm and the lower arm.

The upper arm began with the dragon cover-up:

The dark rock below the dragon covered the old piece. This design, which included the aum or om symbol at the top of the arm, was inked by Carlos at Rising Dragon Tattoos in Chelsea back in 2001. The aum symbol is the Siddhaṃ script version and is a mystical and sacred symbol in Indian religions. Note that this om is different than the one that appeare din the first Tattoosday post here.

Paul was not 100% thrilled with the dragon, so when he decided to finish the sleeve, the following year, he went elsewhere.

The lower part of the arm, which is the more prominent part of the sleeve, was inked by Mike Bellamy at Red Rocket Tattoo in Manhattan, although at the time his shop was known as Triple X Tattoo.

The specific elements in the sleeve are all traditional irezumi, or Japanese tattooing, elements.

The largest piece is the koi. It appears to be a golden koi.

There's a whole discussion here on what koi tattoos symbolize.

In addition, one can read here about the symbolic nature of the lotus flower in tattoos.

Paul also referred to the other flower as a spider lily.

However, there are so many different varieties of specific families of flowers, that I often have a hard time finding good pictures to represent the tattoos.

The additional element in the sleeve which is only a small part, but is still interesting is what Paul referred to as the "kite mask":

Masks are traditional parts of Japanese tattoo design, but this specific one is hard to pinpoint for me. Here are some Chinese mask kites. Yet, the fact that I cannot easily find one on the web, just fascinates me more.

Paul estimates that the whole sleeve (including the dragon from 2001) took about 20 hours of work, and he did it in 6-7 sittings, mostly in 2002.

Paul sent me the following photos from the New York City Tattoo Convention, where Mike Bellamy did some of the work on Paul's sleeve:

That's Paul and Mike on the far left of the photo:

Thanks to Paul for helping me update this post with additional shots!